When not presented overtly, violence often gets portrayed by proxy, with comic or athletic or financial scenarios standing in for a good physical thumping.
Read MoreLONELY JACKET
I worry that the story of how it got there and all of the many decisions that brought it into being—who designed it, who manufactured it, who shipped it, sold it, took it home, wore it, and ultimately hung it up for perpetuity might never be told.
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THE REAL AND VIRTUAL PERILS OF PAULINE
When frames of reference are no longer tightly tethered to the real world, do we share as much with each other when we consume each others imagined experiences?
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SOMEWHERE IN NEW MEXICO THE FIRST ASTRONAUT TO MARS LEARNS ALGEBRA
Creativity takes a gutsy, tireless person to see something in the intangible spaces between us, something you can’t touch or easily characterize.
Read MoreOLD HARD DRIVES
Things that consume our energy and our attention today will be completely irrelevant in a surprisingly short time from now.
Read MoreFUNAMBULISTS
If you’ve decided to do something that does matter, you’ve decided to step off the platform and dare yourself not to freak out. You’re now a funambulist, and while you’re on the tightrope, there’s nothing else to do in the world but focus on the task at hand.
Read MoreCLEAN DESK
I seem to be in an eternal rearguard action with my desk. It drives me crazy. But, lo and behold, I think I’ve finally figured out how this mess always happens.
Read MoreEPHEMERAL SOUND
It’s as if the extension of our media expectations recalls some unfathomable ur-media, like what the Leakeys might have encountered if Lucy had been propped up in a Flintstones editing suite somewhere in the ancient Olduvai.
Read MoreTHANKSGIVING 2016 -- Creating Value
To be successful with others we obligate ourselves to create worlds of civility an sensitivity. We obligate ourselves to tune in to others in our space, even as we desire to let our own guards down so that others can tune in to us.
Read MoreACTING WITHOUT THINKING
The process of successful creation is intangible. I know there is sky above me and I know there is air all around me and I know that the air around me connects directly to the sky above me. Somewhere the two meet, but the dividing line is a fiction of language, a function of our senses being given over to words. There is no dividing line between air and sky, but we describe the expanse of blue overhead as something different than the wind moving leaves on the trees.
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