INVISIBLE WORLD

The difference between everything that’s come before and the last two seconds (relatively speaking) is that media now shows us things that were otherwise invisible, as opposed to made up. We now seamlessly blend our intake of special effects—impossible events, like superheroes flying over skyscrapers—with otherwise unseeable events—things like slo-mo, high speed, and highly dynamic color correction. We practically expect it, demand it. We count on augmented experiences that transcend our unassisted human abilities, and we feel like there’s something unsatisfying if our media experiences don’t show us physics-defying phenomenon.

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