Figuring out where you’re going matters profoundly if you’re serious about reaching somewhere interesting. The more interesting your intended destination, the less precisely you can account for how you’re going to get there, and the less likely it is that the arrival will reveal something extraordinarily special and sublime.
It’s a terrific development in human history that so many people should have the means and mechanisms to create images and sounds and words, but the dilution of importance for the best of those creations threatens the value and continuity of the whole enterprise.
Bandersnatch asks us to question our own autonomy, much like the main character himself questions how and why things are happening to him in the film based on inputs from viewers, the unseen puppet masters.
Musicians are making music because music needs to be made. Music between news stories may be interstitial elements for many people, but for those who play to keep the world turning, those music bumpers are the main reason for the show.
To develop creative work is to manipulate. The creative process has less to do with quantification than it does with intuition. To be creative is to feel something rather than calculate something, and feelings are always subject to change.
What could art possibly mean to a global population that spends most of its days eking out meager livings on the rough streets of Bangalore, Dar es Salaam, or Medellin? What does art possibly mean to the people who spend their days pouring over spreadsheets working to score points with the House Appropriations Committee?