Fiction offers more than just food for thought. It offers possibilities. Social media, conversely, offers us shallow moments of vicarious sensation. As something usually less than reportage, and certainly something substantially less than earnest invention, social media generally traffics in distraction where fiction, even in its most banal expressions, asks something more.
Read MoreTHE WALKING DEAD
That mortal fantasy is the crux of the show’s genius and the singular reason why it’s so successful. Without a complex and sophisticated playbook of narrative rules governing the program’s engine, the action would be little more than splashing around in a shallow pool. Instead, The Walking Dead taps into a deep sea of anxieties and simultaneous wish fulfillment and social means testing.
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Novelists and journalists both use the same tools. Pens, paper, computers, and digital audio recorders are really at the bottom of the list. Narrative tales, regardless of which camp tells them, require information to start, followed by synthesis, context, and perspective. From there, the potential for interesting results grow.
A REPORTER AND A NOVELIST WALK INTO A BAR…
That experimental space of narrative invention is simultaneously the great dividing line between fiction and journalism, as well as the bridge between the two camps. Where journalism trades in carefully considered observations, backed up by sources and evidence, fiction makes sense of how received information fits into a larger cultural context. Where journalism digs up hard-to-reach raw minerals, fiction polishes them into jewels.
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