MOVE YOUR FEET

 You have to get comfortable with the idea that you just might be in the center of the action. While often true, don’t worry about everyone watching you.  The fact is, they’re generally not. You’re not the subject; the thing you’re photographing is likely the thing that’s holding everyone’s attention. When you’re learning, just move in and try to have a sense of humor about it. Once you get it, it will become second nature and you’ll move because you’re motivated to capture something. 

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DECEPTIVE HIERARCHIES

For creative people there's a compelling moment to consider when approaching complex projects. Ask yourself if the organizational structure of your idea and your organization simply exists because you understand it. Ask yourself if the hierarchy is fundamentally sound for the particular project. If it exists because that’s the way things have always been done, you might want to start over.

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VISITING PLACES YOU WOULDN’T CHOOSE TO VISIT

You wouldn’t have signed up for the experience if you had a choice. Choice is the great luxury, the downy pillow beneath a tired head in a private sleeping car on a long journey. Reality is a seat in steerage on a wooden bench, with inadequate ventilation and a colicky baby in the row behind you.

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CHANGE OVER TIME (second of a two part series)

Change comes from a willingness to try something that doesn’t match what’s come before. When an iceberg calves from a glacier we see sudden transformation as tons of ice crash into the sea. But what we don’t necessarily see is the inexorable, relentless push of the glacier down to the sea, the long-term, root cause of the calving front. The thunderous change we observe is the sudden visibility of what’s really a deeper, longer, richer process.

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YOU'RE READY, ALREADY!

There’s no excuse that makes sense if answers always point back to you trying to leave the starting line. External forces holding you back? That’s a little different. That’s a hard, painful situation—legit if it’s legit—and as one creative to another I sincerely feel for you. But fidgeting and fussing over non-sensical distractions is only an indication that your desire to see this thing through ’til the end—whatever it — is not as strong as your urge to resist doing the work. 

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